按键盘上方向键 ← 或 → 可快速上下翻页,按键盘上的 Enter 键可回到本书目录页,按键盘上方向键 ↑ 可回到本页顶部!
————未阅读完?加入书签已便下次继续阅读!
son of a Tanner in Essex; and had been put apprentice to a Taylor。' The baptistery; which stands by it; was an antient temple; said to be dedicated to Mars。 There are some good statues of marble within; and one or two of bronze on the outside of the doors; but it is chiefly celebrated for the embossed work of its brass gates; by Lorenzo Ghiberti; which Buonaroti used to say; deserved to be made the gates of Paradise。 I viewed them with pleasure: but still I retained a greater veneration for those of Pisa; which I had first admired: a preference which either arises from want of taste; or from the charm of novelty; by which the former were recommended to my attention。 Those who would have a particular detail of every thing worth seeing at Florence; comprehending churches; libraries; palaces; tombs; statues; pictures; fountains; bridge; etc。 may consult Keysler; who is so laboriously circumstantial in his descriptions; that I never could peruse them; without suffering the headache; and recollecting the old observation; that the German genius lies more in the back than in the brain。
I was much disappointed in the chapel of St。 Lorenzo。 Notwithstanding the great profusion of granite; porphyry; jasper; verde antico; lapis…lazuli; and other precious stones; representing figures in the way of marquetry; I think the whole has a gloomy effect。 These pietre commesse are better calculated for cabinets; than for ornaments to great buildings; which ought to be large masses proportioned to the greatness of the edifice。 The compartments are so small; that they produce no effect in giving the first impression when one enters the place; except to give an air of littleness to the whole; just as if a grand saloon was covered with pictures painted in miniature。 If they have as little regard to proportion and perspective; when they paint the dome; which is not yet finished; this chapel will; in my opinion; remain a monument of ill taste and extravagance。
The court of the palace of Pitti is formed by three sides of an elegant square; with arcades all round; like the palace of Holyrood house at Edinburgh; and the rustic work; which constitutes the lower part of the building; gives it an air of strength and magnificence。 In this court; there is a fine fountain; in which the water trickles down from above; and here is also an admirable antique statue of Hercules; inscribed LUSIPPOI ERGON; the work of Lysippus。
The apartments of this palace are generally small; and many of them dark。 Among the paintings the most remarkable is the Madonna de la Seggiola; by Raphael; counted one of the best coloured pieces of that great master。 If I was allowed to find fault with the performance; I should pronounce it defective in dignity and sentiment。 It is the expression of a peasant rather than of the mother of God。 She exhibits the fondness and joy of a young woman towards her firstborn son; without that rapture of admiration which we expect to find in the Virgin Mary; while she contemplates; in the fruit of her own womb; the Saviour of mankind。 In other respects; it is a fine figure; gay; agreeable; and very expressive of maternal tenderness; and the bambino is extremely beautiful。 There was an English painter employed in copying this picture; and what he had done was executed with great success。 I am one of those who think it very possible to imitate the best pieces in such a manner; that even the connoisseurs shall not be able to distinguish the original from the copy。 After all; I do not set up for a judge in these matters; and very likely I may incur the ridicule of the virtuosi for the remarks I have made: but I am used to speak my mind freely on all subjects that fall under the cognizance of my senses; though I must as freely own; there is something more than common sense required to discover and distinguish the more delicate beauties of painting。 I can safely say; however; that without any daubing at all; I am; very sincerelyYour affectionate humble servant。
LETTER XXIX
NICE; February 20; 1765。
DEAR SIR;Having seen all the curiosities of Florence; and hired a good travelling coach for seven weeks; at the price of seven zequines; something less than three guineas and a half; we set out post for Rome; by the way of Sienna; where we lay the first night。 The country through which we passed is mountainous but agreeable。 Of Sienna I can say nothing from my own observation; but that we were indifferently lodged in a house that stunk like a privy; and fared wretchedly at supper。 The city is large and well built: the inhabitants pique themselves upon their politeness; and the purity of their dialect。 Certain it is; some strangers reside in this place on purpose to learn the best pronunciation of the Italian tongue。 The Mosaic pavement of their duomo; or cathedral; has been much admired; as well as the history of Aeneas Sylvius; afterwards pope Pius II。; painted on the walls of the library; partly by Pietro Perugino; and partly by his pupil Raphael D'Urbino。
Next day; at Buon Convento; where the emperor Henry VII。 was poisoned by a friar with the sacramental wafer; I refused to give money to the hostler; who in revenge put two young unbroke stone…horses in the traces next to the coach; which became so unruly; that before we had gone a quarter of a mile; they and the postilion were rolling in the dust。 In this situation they made such efforts to disengage themselves; and kicked with such violence; that I imagined the carriage and all our trunks would have been beaten in pieces。 We leaped out of the coach; however; without sustaining any personal damage; except the fright; nor was any hurt done to the vehicle。 But the horses were terribly bruised; and almost strangled; before they could be disengaged。 Exasperated at the villany of the hostler; I resolved to make a complaint to the uffiziale or magistrate of the place。 I found him wrapped in an old; greasy; ragged; great…coat; sitting in a wretched apartment; without either glass; paper; or boards in the windows; and there was no sort of furniture but a couple of broken chairs and a miserable truckle…bed。 He looked pale; and meagre; and had more the air of a half…starved prisoner than of a magistrate。 Having heard my complaint; he came forth into a kind of outward room or bellfrey; and rung a great bell with his own hand。 In consequence of this signal; the postmaster came up stairs; and I suppose he was the first man in the place; for the uffiziale stood before him cap…in…hand; and with great marks of humble respect repeated the complaint I had made。 This man assured me; with an air of conscious importance; that he himself had ordered the hostler to supply me with those very horses; which were the best in his stable; and that the misfortune which happened was owing to the misconduct of the fore…postilion; who did not keep the fore…horses to a proper speed proportioned to the mettle of the other two。 As he took the affair upon himself; and I perceived had an ascendancy over the magistrate; I contented myself with saying; I was certain the two horses had been put to the coach on purpose; either to hu