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the expression of emotion in man and animals-第28章

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ing; but they likewise bite each other; and I have known one to bite off half the tail of its antagonist。 At the commencement of their battles they lay back their ears; but afterwards; as they bound over and kick each other; they keep their ears erect; or move them much about。


'33' ‘The Sportsman and Naturalist in Canada;' 1866; p。  53。  p。  53。{sic}

Mr。 Bartlett watched a wild boar quarrelling rather savagely with his sow; and both had their mouths open and their ears drawn backwards。 But this does not appear to be a common action with domestic pigs when quarrelling。  Boars fight together by striking upwards with their tusks; and Mr。 Bartlett doubts whether they then draw back their ears。 Elephants; which in like manner fight with their tusks; do not retract their ears; but; on the contrary; erect them when rushing at each other or at an enemy。

The rhinoceroses in the Zoological Gardens fight with their nasal horns; and have never been seen to attempt biting each other except in play; and the keepers are convinced that they do not draw back their ears; like horses and dogs; when feeling savage。  The following statement; therefore; by Sir S。 Baker'34' is inexplicable; namely; that a rhinoceros; which he shot in North Africa; 〃had no ears; they had been bitten off close to the head by another of the same species while fighting; and this mutilation is by no means uncommon。〃

Lastly; with respect to monkeys。  Some kinds; which have moveable ears; and which fight with their teethfor instance the _Cereopithecus ruber_ draw back their ears when irritated just like dogs; and they then have a very spiteful appearance。  Other kinds; as the _Inuus ecaudatus_; apparently do not thus act。  Again; other kindsand this is a great anomaly in comparison with most other animalsretract their ears; show their teeth; and jabber; when they are pleased by being caressed。  I observed this in two or three species of Macacus; and in the _Cynopithecus niger_。 This expression; owing to our familiarity with dogs; would never be recognized as one of joy or pleasure by those unacquainted with monkeys。


'34' ‘The Nile Tributaries of Abyssinia;' 1867; p。  443。


_Erection of the Ears_。This movement requires hardly any notice。 All animals which have the power of freely moving their ears; when they are startled; or when they closely observe any object; direct their ears to the point towards which they are looking; in order to hear any sound from this quarter。  At the same time they generally raise their heads; as all their organs of sense are there situated; and some of the smaller animals rise on their hind…legs。 Even those kinds which squat on the ground or instantly flee away to avoid danger; generally act momentarily in this manner; in order to ascertain the source and nature of the danger。 The head being raised; with erected ears and eyes directed forwards; gives an unmistakable expression of close attention to any animal。 CHAPTER V。

SPECIAL EXPRESSIONS OF ANIMALS。

The Dog; various expressive movements ofCatsHorsesRuminantsMonkeys; their expression of joy and affectionOf painAngerAstonishment and Terror。


_The Dog_。I have already described (figs。 5 and 1) the appearance of a dog approaching another dog with hostile intentions; namely; with erected ears; eyes intently directed forwards; hair on the neck and back bristling; gait remarkably stiff; with the tail upright and rigid。  So familiar is this appearance to us; that an angry man is sometimes said 〃to have his back up。〃 Of the above points; the stiff gait and upright tail alone require further discussion。  Sir C。 Bell remarks'1' that; when a tiger or wolf is struck by its keeper and is suddenly roused to ferocity; every muscle is in tension; and the limbs are in an attitude of strained exertion; prepared to spring。 This tension of the muscles and consequent stiff gait may be accounted for on the principle of associated habit; for anger has continually led to fierce struggles; and consequently to all the muscles of the body having been violently exerted。 There is also reason to suspect that the muscular system requires some short preparation; or some degree of innervation; before being brought into strong action。 My own sensations lead me to this inference; but I cannot discover that it is a conclusion admitted by physiologists。 Sir J。 Paget; however; informs me that when muscles are suddenly contracted with the greatest force; without any preparation; they are liable to be ruptured; as when a man slips unexpectedly; but that this rarely occurs when an action; however violent; is deliberately performed。


'1' ‘The Anatomy of Expression;' 1844; p。  190。

With respect to the upright position of the tail; it seems to depend (but whether this is really the case I know not) on the elevator muscles being more powerful than the depressors; so that when all the muscles of the hinder part of the body are in a state of tension; the tail is raised。 A dog in cheerful spirits; and trotting before his master with high; elastic steps; generally carries his tail aloft; though it is not held nearly so stiffly as when he is angered。  A horse when first turned out into an open field; may be seen to trot with long elastic strides; the head and tail being held high aloft。  Even cows when they frisk about from pleasure; throw up their tails in a ridiculous fashion。 So it is with various animals in the Zoological Gardens。  The position of the tail; however; in certain cases; is determined by special circumstances; thus as soon as a horse breaks into a gallop; at full speed; he always lowers his tail; so that as little resistance as possible may be offered to the air。

When a dog is on the point of springing on his antagonist; be utters a savage growl; the ears are pressed closely backwards; and the upper lip (fig。 14) is retracted out of the way of his teeth; especially of his canines。  These movements may be observed with dogs and puppies in their play。  But if a dog gets really savage in his play; his expression immediately changes。  This; however; is simply due to the lips and ears being drawn back with much greater energy。 If a dog only snarls at another; the lip is generally retracted on one side alone; namely towards his enemy。

The movements of a dog whilst exhibiting affection towards his master were described (figs。 6 and 8) in our second chapter。 These consist in the head and whole body being lowered and thrown into flexuous movements; with the tail extended and wagged from side to side。 The ears fall down and are drawn somewhat backwards; which causes the eyelids to be elongated; and alters the


{illust。 caption = FIG。  14。Head of snarling Dog。  From life; by Mr。 Wood。  whole appearance of the face。 The lips hang loosely; and the hair remains smooth。 All these movements or gestures are explicable; as I believe; from their standing in complete antithesis to those naturally assumed by a savage dog under a directly opposite state of mind。 When a man merely speaks to; or just notices; his dog;we see the last vestige of these movements in a slight wag of the tail; without any other movement of the body; and without even the ears being lowered。  Dogs also exhibit their affection by d
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