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travels through france and italy-第93章

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ion; and descent from the cross; we have  Judith with the head of Holofernes; Herodias with the head of  John the Baptist; Jael assassinating Sisera in his sleep; Peter  writhing on the cross; Stephen battered with stones; Sebastian  stuck full of arrows; Laurence frying upon the coals; Bartholomew  flaed alive; and a hundred other pictures equally frightful;  which can only serve to fill the mind with gloomy ideas; and  encourage a spirit of religious fanaticism; which has always been  attended with mischievous consequences to the community where it  reigned。

The tribune of the great altar; consisting of four wreathed brass  pillars; gilt; supporting a canopy; is doubtless very  magnificent; if not over…charged with sculpture; fluting;  foliage; festoons; and figures of boys and angels; which; with  the hundred and twenty…two lamps of silver; continually burning  below; serve rather to dazzle the eyes; and kindle the devotion  of the ignorant vulgar; than to excite the admiration of a  judicious observer。

There is nothing; I believe; in this famous structure; so worthy  of applause; as the admirable symmetry and proportion of its  parts。 Notwithstanding all the carving; gilding; basso relievos;  medallions; urns; statues; columns; and pictures with which it  abounds; it does not; on the whole; appear over…crouded with  ornaments。 When you first enter; your eye is filled so equally  and regularly; that nothing appears stupendous; and the church  seems considerably smaller than it really is。 The statues of  children; that support the founts of holy water when observed  from the door; seem to be of the natural size; but as you draw  near; you perceive they are gigantic。 In the same manner; the  figures of the doves; with olive branches in their beaks; which  are represented on the wall; appear to be within your reach; but  as you approach them; they recede to a considerable height; as if  they had flown upwards to avoid being taken。

I was much disappointed at sight of the Pantheon; which; after  all that has been said of it; looks like a huge cockpit; open at  top。 The portico which Agrippa added to the building; is  undoubtedly very noble; though; in my opinion; it corresponds but  ill with the simplicity of the edifice。 With all my veneration  for the antients; I cannot see in what the beauty of tile rotunda  consists。 It is no more than a plain unpierced cylinder; or  circular wall; with two fillets and a cornice; having a vaulted  roof or cupola; open in the centre。 I mean the original building;  without considering the vestibule of Agrippa。 Within side it has  much the air of a mausoleum。 It was this appearance which; in all  probability; suggested the thought to Boniface IV。 to transport  hither eight and twenty cart…loads of old rotten bones; dug from  different burying…places; and then dedicate it as a church to the  blessed Virgin and all the holy martyrs。 I am not one of those  who think it is well lighted by the hole at the top; which is  about nine and twenty feet in diameter; although the author of  the Grand Tour calls it but nine。 The same author says; there is  a descent of eleven steps to go into it; that it is a hundred and  forty…four feet in heighth; and as many in breadth; that it was  covered with copper; which; with the brass nails of the portico;  pope Urban VIII。 took away; and converted into the four wreathed  pillars that support the canopy of the high altar in the church  of St。 Peter; &c。 The truth is; before the time of pope Alexander  VII。 the earth was so raised as to cover part of the temple; and  there was a descent of some steps into the porch: but that  pontiff ordered the ground to be pared away to the very pedestal  or base of the portico; which is now even with the street; so  that there is no descent whatsoever。 The height is two hundred  palmi; and the breadth two hundred and eighteen; which; reckoning  fife palmi at nine inches; will bring the height to one hundred  and fifty; and the breadth to one hundred and sixty…three feet  six inches。 It was not any covering of copper which pope Urban  VIII。 removed; but large brass beams; which supported the roof of  the portico。 They weighed 186;392 pounds; and afforded metal  enough not only for the pillars in St。 Peter's church; but also  for several pieces of artillery that are now in the castle of St。  Angelo。 What is more extraordinary; the gilding of those columns  is said to have cost forty thousand golden crowns: sure money was  never worse laid out。 Urban VIII。 likewise added two bellfrey  towers to the rotunda; and I wonder he did not cover the central  hole with glass; as it must be very inconvenient and disagreeable  to those who go to church below; to be exposed to the rain in wet  weather; which must also render it very damp and unwholesome。 I  visited it several times; and each time it looked more and more  gloomy and sepulchral。

The magnificence of the Romans was not so conspicuous in their  temples; as in their theatres; amphitheatres; circusses;  naumachia; aqueducts; triumphal arches; porticoes; basilicae; but  especially their thermae; or bathing…places。 A great number of  their temples were small and inconsiderable; not one of them was  comparable either for size or magnificence; to the modern church  of St。 Peter of the Vatican。 The famous temple of Jupiter  Capitolinus was neither half so long; nor half so broad: it was  but two hundred feet in length; and one hundred and eighty…five  in breadth; whereas the length of St。 Peter's extends to six  hundred and thirty…eight feet; and the breadth to above five  hundred。 It is very near twice as large as the temple of Jupiter  Olympius in Greece; which was counted one of the seven wonders of  the world。 But I shall take another opportunity to explain myself  further on the antiquities of this city; a subject; upon which I  am disposed to be (perhaps impertinently) circumstantial。 When I  begin to run riot; you should cheek me with the freedom of a  friend。 The most distant hint will be sufficient to;Dear Sir; Yours assuredly。

LETTER XXXII

NICE; March 10; 1765。

DEAR SIR;The Colossaeum or amphitheatre built by Flavius  Vespasian; is the most stupendous work of the kind which  antiquity can produce。 Near one half of the external circuit  still remains; consisting of four tire of arcades; adorned with  columns of four orders; Doric; Ionic; Corinthian; and Composite。  The height and extent of it may be guessed from the number of  spectators it contained; amounting to one hundred thousand; and  yet; according to Fontana's mensuration; it could not contain  above thirty…four thousand persons sitting; allowing a foot and  an half for each person: for the circuit of the whole building  did not exceed one thousand five hundred and sixty feet。 The  amphitheatre at Verona is one thousand two hundred and ninety  feet in circumference; and that of Nismes; one thousand and  eighty。 The Colossaeum was built by Vespasian; who employed  thirty thousand Jewish slaves in the work; but finished and  dedicated by his son Titus; who; on the first day of its being  opened; produced fifty thousand wild beasts; which were all  killed in the arena。 The Romans were undoubtedly a barbarous  
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