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p&c.relic-第15章

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   He came to the next station and turned the key。 The box clicked; and registered 10:34 P。M。
   It only took four minutes to get to the next station。 That gave him six minutes for a toke。
   He ducked into a stairwell; closing and locking the door behind him; and peered down toward the darkened basement; where another door opened to an interior courtyard。 His hand went for the light switch at the top of the stairs; but then withdrew。 No sense calling attention to himself。 He gripped the metal handrail tightly as he crept downward。 In the basement; he made his way along the wall until he felt a long horizontal handle。 He pushed; and frigid night air streamed in。 He wedged open the door and lit up a joint; inhaling the bitter smoke with pleasure as he leaned out into the courtyard。 A thin light from the deserted cloister beyond gave a pale illumination to his movements。 The faint hum of passing traffic; muffled by so many intervening walls; passages; and parapets; seemed to e from another planet。 He felt; with relief; the warm rush of the cannabis…another long night made bearable。 Smoke finished; he flicked the roach into the dark; ran his fingers through his crew cut; stretched。
   Halfway up the stairs; he heard the door slam shut below。 He stopped; feeling a sudden chill。 Had he left the door open? No。 Shit; what if someone had seen him toke up? But they couldn't have smelt the smoke; and in the dark; it would've looked just like a cigarette。
   There was a strange; rotten odor in the air that had nothing to do with weed。 But no light flicked on; no footstep sounded on the metal steps。 He started up toward the landing above。
   Just as he reached it; he sensed a swift movement on the stairs behind him。 He spun around; and a hard jerk on his chest shoved him backward against the wall。 The last thing he saw were his shadowy entrails rolling and slipping down the stairs。 After a moment; he stopped wondering where all that gore had suddenly e from。
= 13 =
Tuesday
   Bill Smithback sat in a heavy chair; watching the sharp; angular figure of Lavinia Rickman behind her birchwood veneer desk; reading his rumpled manuscript。 Two bright red fingernails tapped on the glossy finish。 Smithback knew that the fingernail ditty did not bode well。 A very gray Tuesday morning sat outside the windows。
   The room was not a typical Museum office。 The untidy stacks of papers; journals; and books that seemed a fixture in other offices were missing。 Instead; the shelves and desk were decorated with knickknacks from around the world: a storyteller doll from New Mexico; a brass Buddha from Tibet; several puppets from Indonesia。 The walls were painted light institutional green; and the room smelled of pine air freshener。
   Additional curios were arranged on both sides of her desk; as formal and symmetrical as shrubs in a French garden: an agate paperweight; a bone letter opener; a Japanese netsuke。 And in the center of the motif hovered Rickman herself; bent primly over the manuscript。 The swirled stiff orange hair; Smithback thought; didn't go well with the green walls。
   The tapping speeded; then slowed as Rickman turned the pages。 Finally she flicked over the last page; gathered the loose sheets together; and squared them in the precise center of the desk。
   〃Well;〃 she said; looking up with a bright smile。 〃I have a few small suggestions。〃
   〃Oh;〃 said Smithback。
   〃This section on Aztec human sacrifice; for example。 It's much too controversial。〃 She licked her finger daintily and found the page。 〃Here。〃
   〃Yes; but in the exhibition…〃
   〃Mr。 Smithback; the exhibition deals with the subject tastefully。 This; on the other hand; is not tasteful。 It's far too graphic。〃 She zipped a Magic Marker across his work。
   〃But it's entirely accurate;〃 Smithback said; wincing inwardly。
   〃I am concerned with emphasis; not accuracy。 Something can be entirely accurate but have the wrong emphasis; and thus give the wrong impression。 Allow me to remind you that we have a large Hispanic population here in New York。〃
   〃Yes; but how is this going to offend…〃
   〃Moving on; this section on Gilborg simply must go。〃 She zipped another line across another page。
   〃But why…?〃
   She leaned back in her chair。 〃Mr。 Smithback; the Gilborg expedition was a grotesque failure。 They were looking for an island that did not exist。 One of them; as you are so zealous in pointing out; raped a native woman。 We were careful to keep all mention of Gilborg out of the exhibition。 Now; is it really necessary to document the Museum's failures?〃
   〃But his collections were superb!〃 Smithback protested feebly。
   〃Mr。 Smithback; I am not convinced that you understand the nature of this assignment。〃 There was a long silence。 The tapping began again。 〃Do you really think that the Museum hired you; and is paying you; to document failure and controversy?〃
   〃But failure and controversy are part of science; and who's going to read a book that…〃
   〃There are many corporations that give money to the Museum; corporations that might very well be disturbed by some of this;〃 Mrs。 Rickman interrupted。 〃And there are volatile ethnic groups out there; ready to attack; that might take strong exception。〃
   〃But we're talking about things that happened a hundred years ago; while…〃
   〃Mr。 Smithback!〃 Mrs。 Rickman had only raised her voice a little; but the effect was startling。 A silence fell。 〃Mr。 Smithback; I must tell you quite frankly 。。。〃 She paused; then stood up briskly and walked around the desk until she was standing directly behind the writer。
   〃I must tell you;〃 Mrs。 Rickman continued; 〃that it seems to be taking you longer than I thought to e around to our point of view。 You are not writing a book for a mercial publisher。 To put it bluntly; we're looking for the kind of favorable treatment you gave the Boston Aquarium in your previous…ahem…assignment。〃 She moved in front of Smithback; perching stiffly on the edge of the desk。 〃There are certain things we expect; and indeed; that we have a right to expect。 They are…〃 she ticked them off on bony fingers。
   〃One: No controversy。
   〃Two: Nothing that might offend ethnic groups。 
   〃Three: Nothing that might harm the Museum's reputation。
   〃Now; is that so unreasonable?〃 She lowered her voice and; leaning forward; squeezed Smithback's hand with her dry one。
   〃I 。。。 no。〃 Smithback struggled with an almost overwhelming urge to withdraw his hand。
   〃Well; then; that's settled。〃 She moved behind the desk; and slid the manuscript over to him。
   〃Now; there's one small matter we need to discuss。〃 She enunciated very precisely。 〃There were a few spots in the manuscript where you quoted some interesting ments by people 'close to the exhibition;' but neglected to identify the exact sources。 Nothing important; you understand; but I'd like a list of those sources…for my files; nothing more。〃 She smiled expectantly。
   Alarms rang in Smithback's head。 〃Well;〃 he replied carefully; 〃I'd like to help you out; but the ethics of journalism won't let me。〃 He shrugged his shoulders。 〃You know how it is。〃
   Mrs。 Rickman's smile faded quickly; and she opened her mouth to speak。 Just then; to Smithback's relief; 
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