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memories and portraits-第35章

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her most serious offences; I can thrill and soften with the King on 

that memorable occasion when he goes to upbraid and remains to 

flirt; and when it comes to the 〃ALLONS; AIMEZ…MOI DONC;〃 it is my 

heart that melts in the bosom of de Guiche。  Not so with Louise。  

Readers cannot fail to have remarked that what an author tells us 

of the beauty or the charm of his creatures goes for nought; that 

we know instantly better; that the heroine cannot open her mouth 

but what; all in a moment; the fine phrases of preparation fall 

from round her like the robes from Cinderella; and she stands 

before us; self…betrayed; as a poor; ugly; sickly wench; or perhaps 

a strapping market…woman。  Authors; at least; know it well; a 

heroine will too often start the trick of 〃getting ugly;〃 and no 

disease is more difficult to cure。  I said authors; but indeed I 

had a side eye to one author in particular; with whose works I am 

very well acquainted; though I cannot read them; and who has spent 

many vigils in this cause; sitting beside his ailing puppets and 

(like a magician) wearying his art to restore them to youth and 

beauty。  There are others who ride too high for these misfortunes。  

Who doubts the loveliness of Rosalind?  Arden itself was not more 

lovely。  Who ever questioned the perennial charm of Rose Jocelyn; 

Lucy Desborough; or Clara Middleton? fair women with fair names; 

the daughters of George Meredith。  Elizabeth Bennet has but to 

speak; and I am at her knees。  Ah! these are the creators of 

desirable women。  They would never have fallen in the mud with 

Dumas and poor La Valliere。  It is my only consolation that not one 

of all of them; except the first; could have plucked at the 

moustache of d'Artagnan。



Or perhaps; again; a proportion of readers stumble at the 

threshold。  In so vast a mansion there were sure to be back stairs 

and kitchen offices where no one would delight to linger; but it 

was at least unhappy that the vestibule should be so badly lighted; 

and until; in the seventeenth chapter; d'Artagnan sets off to seek 

his friends; I must confess; the book goes heavily enough。  But; 

from thenceforward; what a feast is spread!  Monk kidnapped; 

d'Artagnan enriched; Mazarin's death; the ever delectable adventure 

of Belle Isle; wherein Aramis outwits d'Artagnan; with its epilogue 

(vol。 v。 chap。 xxviii。); where d'Artagnan regains the moral 

superiority; the love adventures at Fontainebleau; with St。 

Aignan's story of the dryad and the business of de Guiche; de 

Wardes; and Manicamp; Aramis made general of the Jesuits; Aramis at 

the bastille; the night talk in the forest of Senart; Belle Isle 

again; with the death of Porthos; and last; but not least; the 

taming of d'Artagnan the untamable; under the lash of the young 

King。  What other novel has such epic variety and nobility of 

incident? often; if you will; impossible; often of the order of an 

Arabian story; and yet all based in human nature。  For if you come 

to that; what novel has more human nature? not studied with the 

microscope; but seen largely; in plain daylight; with the natural 

eye?  What novel has more good sense; and gaiety; and wit; and 

unflagging; admirable literary skill?  Good souls; I suppose; must 

sometimes read it in the blackguard travesty of a translation。  But 

there is no style so untranslatable; light as a whipped trifle; 

strong as silk; wordy like a village tale; pat like a general's 

despatch; with every fault; yet never tedious; with no merit; yet 

inimitably right。  And; once more; to make an end of commendations; 

what novel is inspired with a more unstained or a more wholesome 

morality?



Yes; in spite of Miss Yonge; who introduced me to the name of 

d'Artagnan only to dissuade me from a nearer knowledge of the man; 

I have to add morality。  There is no quite good book without a good 

morality; but the world is wide; and so are morals。  Out of two 

people who have dipped into Sir Richard Burton's THOUSAND AND ONE 

NIGHTS; one shall have been offended by the animal details; another 

to whom these were harmless; perhaps even pleasing; shall yet have 

been shocked in his turn by the rascality and cruelty of all the 

characters。  Of two readers; again; one shall have been pained by 

the morality of a religious memoir; one by that of the VICOMTE DE 

BRAGELONNE。  And the point is that neither need be wrong。  We shall 

always shock each other both in life and art; we cannot get the sun 

into our pictures; nor the abstract right (if there be such a 

thing) into our books; enough if; in the one; there glimmer some 

hint of the great light that blinds us from heaven; enough if; in 

the other; there shine; even upon foul details; a spirit of 

magnanimity。  I would scarce send to the VICOMTE a reader who was 

in quest of what we may call puritan morality。  The ventripotent 

mulatto; the great cater; worker; earner and waster; the man of 

much and witty laughter; the man of the great heart and alas! of 

the doubtful honesty; is a figure not yet clearly set before the 

world; he still awaits a sober and yet genial portrait; but with 

whatever art that may be touched; and whatever indulgence; it will 

not be the portrait of a precision。  Dumas was certainly not 

thinking of himself; but of Planchet; when he put into the mouth of 

d'Artagnan's old servant this excellent profession: 〃MONSIEUR; 

J'ETAIS UNE DE CES BONNES PATES D'HOMMES QUE DIEU A FAIT POUR 

S'ANIMER PENDANT UN CERTAIN TEMPS ET POUR TROUVER BONNES TOUTES 

CHOSES QUI ACCOMPAGNENT LEUR SEJOUR SUR LA TERRE。〃  He was 

thinking; as I say; of Planchet; to whom the words are aptly 

fitted; but they were fitted also to Planchet's creator; and 

perhaps this struck him as he wrote; for observe what follows: 

〃D'ARTAGNAN S'ASSIT ALORS PRES DE LA FENETRE; ET; CETTE PHILOSOPHIE 

DE PLANCHET LUI AYANT PARU SOLIDE; IL Y REVA。〃  In a man who finds 

all things good; you will scarce expect much zeal for negative 

virtues: the active alone will have a charm for him; abstinence; 

however wise; however kind; will always seem to such a judge 

entirely mean and partly impious。  So with Dumas。  Chastity is not 

near his heart; nor yet; to his own sore cost; that virtue of 

frugality which is the armour of the artist。  Now; in the VICOMTE; 

he had much to do with the contest of Fouquet and Colbert。  

Historic justice should be all upon the side of Colbert; of 

official honesty; and fiscal competence。



And Dumas knew it well: three times at least he shows his 

knowledge; once it is but flashed upon us and received with the 

laughter of Fouquet himself; in the jesting controversy in the 

gardens of Saint Mande; once it is touched on by Aramis in the 

forest of Senart; in the end; it is set before us clearly in one 

dignified speech of the triumphant Colbert。  But in Fouquet; the 

waster; the lover of good cheer and wit and art; the swift 

transactor of much business; 〃L'HOMME DE
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