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faust(浮士德)-第1章

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Faust 
by Johann W。  Geothe 
                    
Translated by Anna Swanwick  ( 1808 )


   Introductory Note

   Johann Wolfgang von Goethe; the greatest of German men of letters; was
   born at Frankfort…on…the…Main; August 28; 1749。 His father was a man of
   means and position; and he personally supervised the early education of his
   son。 The young Goethe studied at the universities of Leipsig and Strasburg;
   and in 1772 entered upon the practise of law at Wetzlar。 At the invitation of
   Karl August; Duke of Saxe…Weimar; he went in 1775 to live in Weimar;
   where he held a succession of political offices; becoming the Duke's chief
   adviser。 From 1786 to 1788 he traveled in Italy; and from 1791 to 1817
   directed the ducal theater at Weimar。 He took part in the wars against
   France; 1792…3; and in the following year began his friendship with Schiller;
   which lasted till the latter's death in 1805。 In 1806 he married Christiane
   Vulpius。 From about 1794 he devoted himself chiefly to literature; and after a
   life of extraordinary productiveness died at Weimar; March 22; 1832。 The
   most important of Goethe's works produced before he went to Weimar were
   his tragedy 〃Gotz von Berlichingen〃 (1773); which first brought him fame; and
   〃The Sorrows of Young Werther;〃 a novel which obtained enormous
   popularity during the so called 〃Sturm und Drang〃 period。 During the years at
   Weimar before he knew Schiller he began 〃Wilhelm Meister;〃 wrote the
   dramas; 〃Iphigenie;〃 〃Egmont;〃 and 〃Torquato Tasso;〃 and his 〃Reinecke
   Fuchs。〃 To the period of his friendship with Schiller belong the continuation of
   〃Wilhelm Meister;〃 the beautiful idyl of 〃Hermann and Dorothea;〃 and the
   〃Roman Elegies。〃 In the last period; between Schiller's death in 1805 and his
   own; appeared 〃Faust;〃 〃Elective Affinities;〃 his autobiographical 〃Dichtung
   und Wahrheit〃 (〃Poetry and Truth〃); his 〃Italian Journey;〃 much scientific
   work; and a series of treatises on German Art。
   Though the foregoing enumeration contains but a selection from the titles of
   Goethe's best known writings; it suffices to show the extraordinary fertility and
   versatility of his genius。 Rarely has a man of letters had so full and varied a life;
   or been capable of so many…sided a development。 His political and scientific
   activities; though dwarfed in the eyes of our generation by his artistic
   production; yet showed the adaptability of his talent in the most diverse
   directions; and helped to give him that balance of temper and breadth of
   vision in which he has been surpassed by no genius of the ancient or modern
   world。
   The greatest and most representative expression of Goethe's powers is
   without doubt to be found in his drama of 〃Faust〃; but before dealing with
   Goethe's masterpiece; it is worth while to say something of the history of the
   story on which it is founded … the most famous instance of the old and
   widespread legend of the man who sold his soul to the devil。 The historical
   Dr。 Faust seems to have been a self…called philosopher who traveled about
   Germany in the first half of the sixteenth century; making money by the
   practise of magic; fortune…telling; and pretended cures。 He died mysteriously
   about 1540; and a legend soon sprang up that the devil; by whose aid he
   wrought his wonders; had finally carried him off。 In 1587 a life of him
   appeared; in which are attributed to him many marvelous exploits and in
   which he is held up as an awful warning against the excessive desire for
   secular learning and admiration for antique beauty which characterized the
   humanist movement of the time。 In this aspect the Faust legend is an
   expression of early popular Protestantism; and of its antagonism to the
   scientific and classical tendencies of the Renaissance。
   While a succession of Faust books were appearing in Germany; the original
   life was translated into English and dramatized by Marlowe。 English players
   brought Marlowe's work back to Germany; where it was copied by German
   actors; degenerated into spectacular farce; and finally into a puppet show。
   Through this puppet show Goethe made acquaintance with the legend。
   By the time that Goethe was twenty; the Faust legend had fascinated his
   imagination; for three years before he went to Weimar he had been working
   on scattered scenes and bits of dialogue; and though he suspended actual
   composition on it during three distinct periods; it was always to resume; and
   he closed his labors upon it only with his life。 Thus the period of time between
   his first experiments and the final touches is more than sixty years。 During this
   period the plans for the structure and the signification of the work inevitably
   underwent profound modifications; and these have naturally affected the unity
   of the result; but; on the other hand; this long companionship and persistent
   recurrence to the task from youth to old age have made it in a unique way the
   record of Goethe's personality in all its richness and diversity。
   The drama was given to the public first as a fragment in 1790; then the
   completed First Part appeared in 1808; and finally the Second Part was
   published in 1833; the year after the author's death。 Writing in 〃Dichtung und
   Wahrheit〃 of the period about 1770; when he was in Strasburg with Herder;
   Goethe says; 〃The significant puppet … play legend 。 。 。 echoed and buzzed in
   many tones within me。 I too had drifted about in all knowledge; and early
   enough had been brought to feel the vanity of it。 I too had made all sorts of
   experiments in life; and had always come back more unsatisfied and more
   tormented。 I was now carrying these things; like many others; about with me
   and delighting myself with them in lonely hours; but without writing anything
   down。〃 Without going into the details of the experience which underlies these
   words; we can see the beginning of that sympathy with the hero of the old
   story that was the basis of its fascination and that accounted for Goethe's
   departure from the traditional catastrophe of Faust's damnation。
   Hungarian March from the 〃Damnation of Faust〃Op。24 by Hector
   Berlioz(1803 … 1869)。
   Of the elements in the finished Faust that are derived from the legend a rough
   idea may be obtained from the 〃Doctor Faustus〃 of Marlowe; printed in the
   present volume。 As early as 1674 a life of Faust had contained the incident of
   the philosopher's falling in love with a servant … girl; but the developed story of
   Gretchen is Goethe's own。 The other elements added to the plot can be noted
   by a comparison with Marlowe。
   It need hardly be said that Goethe's 〃Faust〃 does not derive its greatness from
   its conformity to the traditional standards of what a tragedy should be。 He
   himself was accustomed to refer to it cynically as a monstrosity; and yet he
   put himself into it as intensely as Dante put himself into 〃The Divine Comedy。〃
   A partial explanation of this apparent contradiction in the author's attitude is to
   be foun
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