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three men in a boat-第20章

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once; and then die。



〃Oh; that IS nice;〃 says the hostess。  〃Do sing one; Mr。 Harris;〃 and 

Harris gets up; and makes for the piano; with the beaming cheeriness of a 

generous…minded man who is just about to give somebody something。



〃Now; silence; please; everybody〃 says the hostess; turning round; 〃Mr。 

Harris is going to sing a comic song!〃



〃Oh; how jolly!〃 they murmur; and they hurry in from the conservatory; 

and come up from the stairs; and go and fetch each other from all over 

the house; and crowd into the drawing…room; and sit round; all smirking 

in anticipation。



Then Harris begins。



Well; you don't look for much of a voice in a comic song。  You don't 

expect correct phrasing or vocalization。  You don't mind if a man does 

find out; when in the middle of a note; that he is too high; and comes 

down with a jerk。  You don't bother about time。  You don't mind a man 

being two bars in front of the accompaniment; and easing up in the middle 

of a line to argue it out with the pianist; and then starting the verse 

afresh。  But you do expect the words。



You don't expect a man to never remember more than the first three lines 

of the first verse; and to keep on repeating these until it is time to 

begin the chorus。  You don't expect a man to break off in the middle of a 

line; and snigger; and say; it's very funny; but he's blest if he can 

think of the rest of it; and then try and make it up for himself; and; 

afterwards; suddenly recollect it; when he has got to an entirely 

different part of the song; and break off; without a word of warning; to 

go back and let you have it then and there。  You don't … well; I will 

just give you an idea of Harris's comic singing; and then you can judge 

of it for yourself。



HARRIS (STANDING UP IN FRONT OF PIANO AND ADDRESSING THE EXPECTANT MOB): 

〃I'm afraid it's a very old thing; you know。  I expect you all know it; 

you know。  But it's the only thing I know。  It's the Judge's song out of 

PINAFORE … no; I don't mean PINAFORE … I mean … you know what I mean … 

the other thing; you know。  You must all join in the chorus; you know。〃



'Murmurs of delight and anxiety to join in the chorus。  Brilliant 

performance of prelude to the Judge's song in 〃Trial by Jury〃 by nervous 

Pianist。  Moment arrives for Harris to join in。  Harris takes no notice 

of it。  Nervous pianist commences prelude over again; and Harris; 

commencing singing at the same time; dashes off the first two lines of 

the First Lord's song out of 〃Pinafore。〃  Nervous pianist tries to push 

on with prelude; gives it up; and tries to follow Harris with 

accompaniment to Judge's song out 〃Trial by Jury;〃 finds that doesn't 

answer; and tries to recollect what he is doing; and where he is; feels 

his mind giving way; and stops short。'



HARRIS (WITH KINDLY ENCOURAGEMENT): 〃It's all right。  You're doing it 

very well; indeed … go on。〃



NERVOUS PIANIST: 〃I'm afraid there's a mistake somewhere。  What are you 

singing?〃



HARRIS (PROMPTLY): 〃Why the Judge's song out of Trial by Jury。  Don't you 

know it?〃



SOME FRIEND OF HARRIS'S (FROM THE BACK OF THE ROOM): 〃No; you're not; you 

chuckle…head; you're singing the Admiral's song from PINAFORE。〃



'Long argument between Harris and Harris's friend as to what Harris is 

really singing。  Friend finally suggests that it doesn't matter what 

Harris is singing so long as Harris gets on and sings it; and Harris; 

with an evident sense of injustice rankling inside him; requests pianist 

to begin again。  Pianist; thereupon; starts prelude to the Admiral's 

song; and Harris; seizing what he considers to be a favourable opening in 

the music; begins。'



HARRIS:



〃 ‘When I was young and called to the Bar。' 〃



'GENERAL ROAR OF LAUGHTER; TAKEN BY HARRIS AS A COMPLIMENT。  PIANIST; 

THINKING OF HIS WIFE AND FAMILY; GIVES UP THE UNEQUAL CONTEST AND 

RETIRES; HIS PLACE BEING TAKEN BY A STRONGER…NERVED MAN。



THE NEW PIANIST (CHEERILY): 〃Now then; old man; you start off; and I'll 

follow。  We won't bother about any prelude。〃



HARRIS (UPON WHOM THE EXPLANATION OF MATTERS HAS SLOWLY DAWNED … 

LAUGHING): 〃By Jove!  I beg your pardon。  Of course … I've been mixing up 

the two songs。  It was Jenkins confused me; you know。  Now then。



'SINGING; HIS VOICE APPEARING TO COME FROM THE CELLAR; AND SUGGESTING THE 

FIRST LOW WARNINGS OF AN APPROACHING EARTHQUAKE。



〃 ‘When I was young I served a term

As office…boy to an attorney's firm。'



(Aside to pianist): 〃It is too low; old man; we'll have that over again; 

if you don't mind。〃



'SINGS FIRST TWO LINES OVER AGAIN; IN A HIGH FALSETTO THIS TIME。  GREAT 

SURPRISE ON THE PART OF THE AUDIENCE。  NERVOUS OLD LADY NEAR THE FIRE 

BEGINS TO CRY; AND HAS TO BE LED OUT。'



HARRIS (continuing):



〃I swept the windows and I swept the door;

And I … ‘



No … no; I cleaned the windows of the big front door。  And I polished up 

the floor … no; dash it … I beg your pardon … funny thing; I can't think 

of that line。  And I … and I … Oh; well; we'll get on to the chorus; and 

chance it (SINGS):



‘And I diddle…diddle…diddle…diddle…diddle…diddle…de;

Till now I am the ruler of the Queen's navee。'



Now then; chorus … it is the last two lines repeated; you know。



GENERAL CHORUS:



〃And he diddle…diddle…diddle…diddle…diddle…diddle…dee'd;

Till now he is the ruler of the Queen's navee。〃



And Harris never sees what an ass he is making of himself; and how he is 

annoying a lot of people who never did him any harm。  He honestly 

imagines that he has given them a treat; and says he will sing another 

comic song after supper。



Speaking of comic songs and parties; reminds me of a rather curious 

incident at which I once assisted; which; as it throws much light upon 

the inner mental working of human nature in general; ought; I think; to 

be recorded in these pages。



We were a fashionable and highly cultured party。  We had on our best 

clothes; and we talked pretty; and were very happy … all except two young 

fellows; students; just returned from Germany; commonplace young men; who 

seemed restless and uncomfortable; as if they found the proceedings slow。  

The truth was; we were too clever for them。  Our brilliant but polished 

conversation; and our high…class tastes; were beyond them。  They were out 

of place; among us。  They never ought to have been there at all。  

Everybody agreed upon that; later on。



We played MORCEAUX from the old German masters。  We discussed philosophy 

and ethics。  We flirted with graceful dignity。  We were even humorous … 

in a high…class way。



Somebody recited a French poem after supper; and we said it was 

beautiful; and then a lady sang a sentimental ballad in Spanish; and it 

made one or two of us weep … it was so pathetic。



And then those two young men got up; and asked us if we had ever heard 

Herr Slossenn Boschen (who had just arrived; and w
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